With Bresson photography became "stop living in the moment in which she lived." He understood photography as "the simultaneous recognition, in a split second, the significance of an event."
His ideal camera should be small, as you can get it to work very quickly as an "extension of the eye."
He says: "The camera is for me a sketch pad, the instrument of intuition and spontaneity, the possessor of that, in visual terms, questions and decides simultaneously. The "mean" the world must feel involved in what is framed in the viewfinder. This attitude requires concentration, sensitivity, geometric sense.
E 'through an economy of means and above all self-denial that we reach the expressive simplicity.
photograph is to hold your breath when all faculties agree to capture fleeting reality, at which point the captured image becomes a great physical and intellectual joy. "
Here are some of his works ...
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