Barthes is also involved in photography and in this area through two stages of thought:
- the first in the 60s, where he believes that photography is a message that does not have a code with which to interpret . Also, at this stage, the picture would essentially denotative value, that denotes what has been photographed, and then impressed, but when it communicates to the level that is associated denotative connotative;
- the second phase (80) is characterized by a shift in thinking of Roland Barthes, who believes that a photograph is not a sign, as it is not possible to distinguish the significant from the point of contact.
He believes that photography has a value of certification presence: in fact, it represents a symbol not universally valid, but state that there was something that changes from person to person.
A Barthes opposes the ideology of Peirce, who said the indexical value of photography as it is the result of the impression of light, is what is in relation to it.
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