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... A pop d ' writers on semiotics: Saussure

Saussure believes that there is a sign when you have a significant (that recognizes what a meaning, for example him to stand still before the red light, or acknowledge the unicorn, that even if I admit there as it has cultural value, not material) and a meaning (ie concept, the cultural dimension, not the material).
They are dependent on each other, and their existence is closely linked. Moreover, they exist only if there a reference (ie the object physically exists) that unites them. So the sign is an expression of two terms Corelli, and it is something flexible, but as different, never exhausts its meaning .

therefore; We summarize the Saussurean conception using this form:

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What is semiotics?

Semiotics is defined as the science that studies signs.

These signs are divided into three categories: iconic, indexical and symbols. The

icons are signs that have resemblance to the object you want to represent (eg photo of the Eiffel Tower, a map). There is no complete analogy with reality, it should take for granted that there are some similarities and some not. These signs are the result of an agreement, because we tend to focus on the relationship between the lines, excluding the size (the tower of Pisa and the Leaning Tower of Pisa souvenir).

I indexical signs have relation of physical continuity with what they want to represent (eg footprint left on the sand; flag in the wind that moves in the direction of the wind, pronouns). The size of conventional
is necessary: \u200b\u200bto belong to a given culture is essential to understand this type of sign.

I have no symbols relationship with what they want to represent (eg all traffic signals, signs in mathematics.) There is therefore no kind of analogy, because elements are entirely conventional.
It must understand the meanings that a particular culture attaches to a signal for a process semiottico.

summary, in short ...